The W-lexicon briefly presents a selection of notions defined by W for practice and critique. This lexicon has essentially an operative aim, that is to say that it attempts to name different phenomena intervening in the conception or the reception of performances.
From the practice stand pont , this lexicon allows the actors of a same project to express more precisely its modalities, to share and to explain its stakes, thus offering to each one the possibility of appropriating them and of modulating them consequently. From the critique stand point, it offers a certain number of conceptual tools in order to analyze a performance in real time.
The W-lexicon is passed on during the practical sessions and the critical seminars.